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Showing posts from February, 2022

Sören Nyckelharpa and Tuning Systems

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 Nyckelharpa built by Sören Åhker and tuning cable     I had the pleasure of playing some tunes with my friend Saana today, and I noticed how careful she was with tuning her nyckelharpa, using a clip and Korg tuner. I use my phone to tune, and any background noise often interferes with tuning. I asked her about the tuning clip and Korg tuner and she said the Korg tuner she has is no longer made and she was using Baroque tuning. She has studied at ESI (Eric Sahlström Institute) and she mentioned they would spend a long time tuning.       Yet here at SibA (Sibelius Academy in Helsinki, Finland), we use equal tempered tuning because oftentimes we play with instruments with fixed tuning (i.e. accordion or harmonium). While the baroque tuning may make the instrument sound better, I wonder, is it sacrificing the ability to play with other  musicians and an ensemble? What are your thoughts on tuning systems?

Sahlström Nyckelharpa in Stockholm

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Nyckelharpa built by Eric Sahlström, 1981     I had the good fortune of visiting Stockholm, Sweden this past Sunday, February 20th, and visited the nordic instruments collection at the Performing Arts Museum. I happened across this nyckelharpa made by Eric Sahlström himself in 1981, and owned by  Åsa Jinder, the youngest person ever to be awarded the title of 'Rikspelman' or national folk musician in 1979 (16 years of age). Take at look at the beautiful woodwork engraving below.